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An Art and Design Revival at the Cody House in Palm Springs

Nov 07, 2023Nov 07, 2023

Steven Biller March 8, 2023 Arts & Entertainment, Modernism

Phillip K. Smith III's "Portal 6" commands attention in the living room, which includes Afra and Tobia Scarpa–designed Soriana lounge and side chairs for Cassina and a Pierre Chapo "eye" coffee table. Gisela Colón's 8-foot-tall "Parabolic Monolith (Polaris)" towers in the distance. PHOTOGRAPHY COURTESY PETER BLAKE GALLERY

Architect William F. Cody built his family home in Palm Springs in the prevailing spirit of the postwar period — a steel-framed modern structure with large glass areas that open to gardens, patios, and an atrium and allow natural light to beam through at different angles throughout the day.

The residence was completed and published in the professional journal Arts & Architecture in 1952. Seventy years later, Spanish architects Paula Bueso-Inchausti and Guille Castaneda, the husband-and-wife principals of the Palm Desert design-build firm Nomos RED, purchased the house through real estate agent Keith Markovitz, of TTK Represents, a collector of minimalist art who thought the home's glass-enclosed spaces would be a perfect setting for light and space art.

Artists who work in light and space, an art movement that began in the late-1960s in Southern California, use industrial materials such as polyester resin, cast acrylic, and glass to explore questions of perception. Whether by directing the flow of natural light or embedding artificial light within objects or architecture, works by these artists elicit a heightened sensory awareness.

Phillip K. Smith III's "Portal 6" commands attention in the living room, which includes Afra and Tobia Scarpa–designed Soriana lounge and side chairs for Cassina and a Pierre Chapo "eye" coffee table. Gisela Colón's 8-foot-tall "Parabolic Monolith (Polaris)" towers in the distance. Phillip K. Smith III's 6-foot-long "Lozenge 6 Horizontal" illuminates the office. It hangs behind a 1940s walnut desk and bridge armchairs by André Sornay. Gisela Colón's blow-molded acrylic "Liquid Triangle" presides over the dining room, which features a Antoine Phillipon and Jacqueline Lecoq–designed table and "Model P60 Chairs." A painting by Lita Albuquerque hangs over the Vladimir Kagan Serpentine sofa. A Jorge Zalszupin coffee table, Pierre Guariche magazine stand, and Jean-Pierre Laporte "Girolle" chair for Thonet round out the vignette in the den. A ceramic figure by artist Stephen De Staebler from the collection of Peter Blake.